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II Catalog Description: Survey
of the Renaissance and Baroque art
Prerequisites for art majors: ART 120.
III Purpose: To provide the students with increased knowledge of the major artists and works of art of the 14th through 18th centuries in Europe.
IV Course objective: To help the students understand the broad historical and cultural context in which Renaissance and Baroque works of art were created. To provide the students with the necessary methodological tools of art history: bibliographic research, assessment of literature, written analysis of art that will enable him/her to undertake more thorough, as well as incisive study of these periods on a more advanced (400) level.
V Content Outline: Late Gothic, Flemish 15th c., Early Italian Renaissance, High Renaissance, 16th c. in Northern Europe, Mannerism, transition to Baroque around 1600, High Baroque in the Catholic countries, Dutch Art, French Classical Baroque, Rococo, Beginning of Neoclassicism.
VI Instructional Activities: Lectures with slides, handouts, discussion.
VII Field and clinical experience: NA
VIII Resources: Slides, handouts, library.
IX Grading Procedure:
4 quizzes (3 best
count @ 100 points) 300 points
Visual Analysis
150 (100 writing & 50 grading)
Contextual Analysis150
(100 writ. & 50grading)
Compare/ Contrast
150 (100 writ. & 50 grading)
Research Project 200
-Thesis 25
Outline 50
Annotated Bibliography 25
Illustrations 25
Formal issues [footnote style etc.] 25
Participation 50
Total points available 800
1) Quizzes: slide identifications;
facts, short definitions, short essays, short compare and contrast essays
about slides. In class, short (c. 10-15 minutes & c. half
page)! Based on readings, discussions, & lectures. factually and/or
conceptually oriented,. Stress will be placed on accuracy and completeness
of the info. (*the lowest score will be dropped)
2) Visual Analysis: examination
of the formal properties of art (2 pages typed)
Following two assignments are “micro research essays.” Your arguments/points will have to supported by careful research with the sources cited in the footnotes. They will also include illustrations.3) “Contextual” Analysis: study of meaning, purpose, and historical circumstances influencing the art work (how does style reflect the culture in which it was created).
The above-listed assignments 2, 3, and 4, will involve a so-called “peer grading.” You will be asked to read each others essays and grade them (including grammatical “proof-reading,” comments on content, and organization). Your grade on these assignments will subsequently consider your own writing AND quality and sincerity of your grading.
5) “Research Project”: Each student will select a topic from a list. The final project will be a well researched, and well argued OUTLINE providing reader with as complete picture of the THOUGHT PROCESSES of writing and doing research as possible. Different points of the outline should be specifically supported by references to the bibliographic sources. The bibliography must be annotated (explaining in about a paragraph the main focus of the author and the specific usefulness of the source. Also, the outlined discussion must be accompanied by an appropriate selection of illustrations related to and supporting the points made. (details will be discussed in class)
6) Participation: active, regular, and constructive participation in the discussions based on readings, research, and lectures is crucial to the active learning of each individual as well as of the group, and will be monitored. (But for the “mortally shy,” you can participate in writing by turning in a sheet of written questions and/or constructive comments pertaining to the issues addressed in the class/lecture of that day.) Extra credit will be available in this area.
X Attendance Policy: Attendance is required. Five (5) total absences are allowed with or without documentation. Subsequent absences (except in documented cases of long term hospitalization, imprisonment, etc.) will result in lowering of the final grade by full grade for each absence. Eight (8) or more absences will result in an automatic “E” grade.
XI Academic Honesty Policy: Any instance of flagrant (i.e., “knowing” violation) academic dishonesty, as determined by the instructor of this course in compliance with the university policy, will result in the student’s dismissal from the class the assignment of an “E” grade for the course. This applies also to the PLAGIARISM.
XII Texts and references: Gloria K. Fiero,
The
Humanistic Tradition, volumes 3 & 4, 3rd ed., 1998, McGraw-Hill;
RECOMMENDED:
Gardner’s
Art through the Ages, 10th ed. on reserve in the library
XIII Prerequisites: For non-majors, none; for art majors, Art 120.
NB: It is the policy of the department that NO
DRINKS or FOOD are ALLOWED
in the gallery as well as in the classrooms adjacent
to the gallery.
This rule will be enforced in this class.
Wk 1 Aug 21 intro.
VOL. 3 - 1
Aug 23 Humanization of Religion, Mendicant Orders
8-9
Aug 25 Humanism: Petrarch, Boccacio etc.
23-27, 9-11
Wk 2 Aug 28 Giotto
15-22
Basis of the Visual Analysis
Visual Analysis (VA) Assignment
Aug 30 Black Death, International Gothic
2-6
Sep 1 ARS NOVA Beginning of
the Flemish 15th-century art
Limbourgh Bros.; Robert Campin; Jan van Eyck
17-22, 49, 79
Wk 3 Sep 4 LABOR
DAY
Sep 6 Rogier van der Weyden; later 15th century
Sep 8
Discussion of topics
Wk 4 Sep 11 Topics Assignment
Sep 13 Humanism and the beginnings of the Italian
Renaissance 27-28
Sep 15 Early Renaissance: rediscovery of Nature
and Classical Past
Alberti On Painting analysis and discussion
39-42, 51-55
Contextual Analysis (CA) Assignment
Wk 5 Sep 18 Ghiberti,
Donatello, Masaccio, et all
Sep 20 15th c. architecture: Brunelleschi
42-47
Sep 22 15th-c. Humanism
28-38
Wk 6 Sep 25 Second half
of the 15th c. cont.
Sep 27 Venice 15th c
Sep 29 Intro. to High Renaissance
55 -
Wk 7 Oct 2
Leonardo
55-75
Oct 4 Rome of Julius II; Bramante,
Raphael and early Michelangelo
Oct 6 NO
CLASS
Wk 8 Oct 9
Rome of Julius II; Bramante, Raphael and early Michelangelo cont.
Oct 11 High Ren. in Venice
Oct 13 FALL BREAK
Wk 9 Oct 16 Protest
and Reform
77-84, 93-95
Oct 18 Northern Europe in the 16th c.:
Dürer, Grünwald, Bosch, Brugel, etc.
84-97
Compare & Contrast Analysis Assignment
Oct 20 NO CLASS
Wk 10 Oct 23 Catholic Reformation
VOL. 4 - 1,2,5
Oct 25 Mannerism and the Council of Trent
9-13
Oct 27 discussion
Wk 11 Oct 30
c.1600 Catholic Reformation cont.
5-9
Nov 1 New Learning
42-50
Nov 3 NO CLASS
Wk 12 Nov 6 Caravaggio
and Carracci
14-16
Nov 8 Bernini - Sculpture
17-18, 9
Nov 10 Bernini, Borromini - Architecture
18-23, 25-26
Wk 13 Nov 13 Rubens, Spanish
Baroque
27-31;73-75
Nov 15 Protestant North
27-(42-60)
Nov 17 Dutch art: Rembrandt
35-37;~60
Wk 14 Nov 20 Dutch art
cont.: Hals, Vermeer
42-60
Nov 22 THANKSGIVING
Nov 24 THANKSGIVING
Wk 15 Nov 27 Absolutism:
French classicism (Louis XIV)
61-70
Nov 29 Poussin and beginning of Academy
71-73
Dec 1 NO
CLASS (W.I.P.)
Wk 16 Dec 4
Enlightenment
97-136,148-149
Dec 6 Rococo
139-147
Dec 8 Neoclassicism
150-161
Wk 17 FINALS (No official final scheduled)