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GREEK
& ROMAN ART (ART 415) |
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I Title: Art
415 Greek and Roman Art
II. Catalog Description: History of the
art and architecture of ancient Greece and Rome through the late Empire.
III. Purpose: To provide the student with
a knowledge of the major works of art of the Ancient Mediterranean culture,
from the Cycladic age to the Late Roman Empire.
IV. Course Objective: To help the student
understand the historical and cultural context in which the works of art
were created. Some issues to be considered include the reflection
in art of burial customs; worship of nature and gods; philosophical inquiry
into the nature of beauty; attitudes of an imperial system of government.
To provide the student with the opportunity to research
an aspect of this art, allowing him or her to understand the historical
discourse surrounding the art of this period.
V. Course Content:
Ancient Art: Cycladic, Minoan, Mycenaean
Greek Art: Early Greek, Classical Greek,
Hellenistic Greek
Roman Art: Etruscan, Republic and Early
Imperial, Late Imperial
VI. Instructional Activities: Lectures
with slides; student discussion
VII. Field and Clinical Experience: Trip
to Nashville
VIII. Resources: Slides, photocopied handouts,
library
IX. Grading Procedures:
3 Exams @ 150
pts. each =
450 pts
Visual project
(incl. written portion) 250 pts.
(Execution
= 100 pts.)
(Conceptual ideas = 150 pts.)
Research
Essay
=
300 pts.
(Thesis & Biblio =
25 pts.)
(Thesis+Outline+Bib. = 25 pts.)
(Formal issues
= 50 pts )
(Essay & Rewrite = 200 pts)
Participation
50
Total
1000 pts. (NB: additional pts. for extra credit are
available for unusually active participation)
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All assignments MUST be turned in ON TIME (see due dates on your daily
schedule). It is student's responsibility to keep up with all
the changes and/or assignments missed due to an absence.
-
LATE assignments will NOT be ACCEPTED! (except in cases of long-term
hospitalization etc.), and will count at "0" points toward your final
grade!!!
1) Exams: short "factually" oriented based on readings, presentations,
discussions, lectures
Generally, the exams will consist of short slide identification
(short essays), short "compare/contrast" essays, and "unknowns" (previously
not discussed slides used as a springboard for a discussion of important
issues related to the style etc.)
2) Visual project: students will be asked to create an actual
work of art during the semester (any media) which would reflect their understanding
of the key "baroque" issues related to the studied material. This is NOT
intended as a copy of old masters, rather, it should be a proof of students'
internalization of the discussed issues.
Furthermore, the student will keep a journal of their creative thought
process and accompany the final product by typed, 2-3pages account of explaining
their reasons behind the work, influences, issues addressed etc.
The works and the accompanying explanations will be displayed, after final
class "critique" as a class project in the gallery. (further detail will
be discussed in class)
3) Research essay: Each student will select a topic. Well
researched, argued, and written research essays 6-8 pages in length. Details
about specific requirements and style will be provided in class at a later
date. The final grade will based on several steps (thesis, bibliography,
outline etc.) which will be graded incrementally (see the grading policy
above).
4) Participation: active, regular, and constructive participation
in the discussions based
on readings, research, presentations, and lectures are crucial
to the active learning of each individual as well as of the group and will
be monitored. (But for the "mortally shy," you can participate in
writing by turning in a sheet of written questions and/or constructive
comments pertaining to the issues addressed in the class/lecture of that
day.)
X. Attendance Policy: Attendance is required.
Three (3) total absences are allowed with or withoutdocumentation. Subsequent
absences (except in documented cases of long term hospitalization,
imprisonment, etc.) will result in lowering of the final grade
by a letter grade per absence. Six (6) or more absences will result in
an automatic "E" grade.
XI. Academic Honesty Policy: Any
instance of flagrant academic dishonesty (for example plagiarism), as determined
by the instructor of this course in compliance with the university policy,
will result in the student's dismissal from the class and the assignment
of a grade of "E" for the course. Flagrant should be understood to mean
the "knowing" violation of any aspect of the University's Policy on Academic
Integrity.
XII. Text and References: John
Boardman, Greek Art, (World of Art Series), 4th ed, 1996,
and
Mortimer Wheeler, Roman Art & Architecture, (World
of Art Series), reprint, 1985
additional sources will be placed on reserve
in the library.
XIII. Prerequisite: Art 215
Art 415 Topics
Outline (the information may change at the discretion
of the instructor)
Class
Date Topic Reading
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1 Jan 18 Intro.
John Boardman (JB) p. 9-28
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2 Jan 20 Aegean sea and
beyond (cultures of the surrounding areas preceding the Greeks) JB
p. 29-75
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3 Jan 25 Geometric style
JB p. 29-75 cont.
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4 Jan 27 Archaic style
(pottery and architecture) -Early Doric Temples JB p. 76-134
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5 Feb 1 Intro to the 5th
c. BC. (Delphi and Temple of Zeus at Olympia); J.J.Pollitt, Art
and Experience in Classical Greece, p.1-63
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6 Feb 3 Golden Age of Athens; JB p.135-215,J.J.Pollitt,
Art and Experience in Classical Greece, p.64-110; Vitruvius,
The Ten Books on Architecture (excerpts), pp.5-16,69-97, 101-113
(114-125)
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7 Feb 8 Principles of Classicism
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8 Feb 10 Early Classical Sculpture
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9 Feb 15 Acropolis
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10 Feb 17 Parthenon: Trip to Nashville (required) the
actual time will be announced
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11 Feb 22 Peloponnesian War: Late Classicism (late 4th
c.); J.J.Pollitt, Art and Experience in Classical Greece, p. 111-135
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Thesis & preliminary
bibliography
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12 Feb 24 Late Classical Art; Praxiteles
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13 Feb 29 EXAM 1
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14 Mar 2 Late Classicism; Mausoleum of Heliocarnassos;
Scopas; J.J.Pollit, Art and Experience in Classical Greece,
p.136-197
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15 Mar 7 Alexander the Great and Hellenism, Lyssipos;
JB p.216-257, J.J.Pollitt,
Art in Hellenistic Age, p.1-19 (19-46)
47-58
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16 Mar 9 Hellenistic "Baroque": Pergamon;J.J.Pollitt,
Art
in Hellenistic Age, 79-110, 111-149
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Thesis & Outline
& Annotated Bibliography
Mar 13-18 SPRING BREAK SPRING BREAK SPRING BREAKSPRING
BREAK
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17 Mar 21 Etruscan Art
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18 Mar 23 Roman Republic (architecture & sculpture);
J.J.Pollitt, Art in Hellenistic Age, 150-163
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19 Mar 28 Roman painting; Pompeii; J.J.Pollitt, Art
in Hellenistic Age, 185-209 (210-229)
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20 Mar 30 Early Empire (Augustus); Neo-Attic Style;
J.J.Pollitt, Art in Hellenistic Age, 164-184
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21 Apr 4 "The Good Emperors"
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22 Apr 6 EXAM 2
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23 Apr 11 "Plebian style" (Septimus Severus)
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24 Apr 13 Mystery religions - Christianity
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25 Apr 18 Late Empire: Dioclecian
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26 Apr 20
Art Critique of the "Visual Project"
(including the written portion)
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27 Apr 25 Constantine
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28 Apr 27 Constantine and the Late Antiquity
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29 May 2 Early Byzantine art
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30 May 4 "Christ as a Ruler"
Rewrite of the
Research Essay (you MUST submit both the original and the final version
to receive a grade)
FINAL
Thursday, May 11, 8:00 AM